Tag Archives: the cortez

American Horror Story: Hotel “Lil Red’s Farewell”

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American Horror Story: Hotel “Lil Red’s Farewell”

Helloo everyone and a very happy evening to all of you! Alright, guys. No one can say I didn’t try. NO ONE. But, on this ninth episode of American Horror Story: Hotel, “She Wants Revenge”, I am throwing in the towel. I refuse to spend any more time on this season. Therefore, I’m renaming tonight’s episode, “Lil Red’s Farewell”.

boohoo

Week after week you guys have tuned in for my reviews and opinions on the new episodes of AHS and I am so humbled and appreciate it greatly. However, it doesn’t feel right putting aside an hour for a television show that’s below sub par. During tonight’s new episode, all I could think of was how much I wanted to crawl into bed and crack open Stephen King’s “Cell”, which I began rereading yesterday. I was craving genuine horror as opposed to the soap opera dramatics that AHS has been delivering every week with episodes that have consistently disappointed.

Not only has this season bored me to tears BUT these posts have been boring me as well. Don’t get me wrong, if I was loving the season it would be different – but it’s so hard to crank out similar posts for every episode when nothing exciting is really happening. During Freak Show, I lived for my Wednesday night articles on the new episodes…So you know something is wrong when I dread firing up the ol’ laptop after epis of Hotel!

I gave this season my best shot and the benefit of the doubt for nine weeks, but enough is enough. I now plan on spending my Wednesday nights tucked in with a good book or perhaps watching some old slasher films. I have an insatiable urge to absorb entertainment of quality and Hotel has done nothing to satisfy this. So, that’s that. I bid you farewell, American Horror Story: Hotel because I’m breaking up with you for good this time. Better luck on season six! Now cue the music!

So there you have it, the final post on American Horror Story: Hotel, “Lil Red’s Farewell”. Now if you’ll excuse me, Cell and a midnight snack is calling my name! What are your opinions on this season of AHS? Who has given up on the show? Who is a die hard Hotel fan? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah

PS: Don’t you worry about what I’ll be filling the Thursday and Friday slots on lifewithlilred with! I have some very fun upcoming posts up my sleeve! ❤ 🙂

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Sorry!!

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Sorry!!

Helloooo everyone!!! I am SO sorry! I totally drew a blank and forgot that American Horror Story was on this week – I thought that they were taking a two week break for Thanksgiving but apparently not! But I’m okay with missing tonight’s episode because you guys know that I don’t care for season five anyways. 😉 And besides…Tonight was date night with Kyle!! And I finally have pictures to prove our relationship:

^^^ Aw, I love us!!! ❤

Because of my uh-oh on forgetting about AHS tonight, I’ll be taking a break from the usual synopsis and opinions post for the week. But make sure you tune in with me next week to pick up where we left off! I hope all of you are having a fantastic night! What was everyone up to on this fine Wednesday? Who has any big plans for the weekend? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah

I’ll Tell You What I Thought, What I Really Really Thought (AHS Episode 7)

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I’ll Tell You What I Thought, What I Really Really Thought (AHS Episode 7)

Alright everyone, I need you to know that I’ve tried – but I can’t do it anymore. I’m going to go right out and say it: This season SUCKS. Believe me, I’ve tried SO hard to get into it. I’ve had faith week after week that the episodes are going to get better, but alas, they’re not and I’m thoroughly disappointed. The newest episode of American Horror Story: Hotel entitled “Flicker” will receive my lowest ratings of the season with: half a star. “Why?” You might ask. Well, let me tell ya:

Where is the horror?!: Yes, this season has boasted some terrible and shameful scenes, however, I wouldn’t classify Hotel as “scary” in the slightest. Yes, things get a little bit gory on the show – but is that truly frightening? No. There hasn’t been one moment during season five where I’ve truly been scared and therefore, I’m not a fan. “Flicker” offered quite a lengthy back story on the Countess as well as a possible lead on the Ten Commandments Killer and that’s about it. Did anything really “happen” in the episode? No, not really. I was bored to tears. #sorrynotsorry

Where is the plot going?!: What is this season even about? Lol, seriously someone please enlighten me because the multiple plots that have been introduced are going nowhere fast. There hasn’t been one solid and steady plot throughout the entire season and to me, that’s unacceptable. I have no idea where the episodes are going and what they have to do with the big picture. It’s so evident that Ryan Murphy bit off more than he can chew and I think it was a big mistake casting Lady Gaga. All the Countess seems to do on the show is offer a fashionable presence, which I feel is exactly what she wanted. As I’ve said multiple times, give me Jessica Lange or give me nothing because this show is a flop without her.

boohoo

Where is the acting?!: As a person who loves the theater, I hate “hating” on actors – but the acting on Hotel is sub par at best. Sarah Paulson is dull. Wes Bentley is dull. Chloe Sevigny is dull. Lady Gaga is dull. It’s all very very boring. All of the characters seem to be talking but saying nothing and frankly, it looks like all of the actors were half asleep when they were shooting because their eyes are all glazed over and they look just as confused as the viewers. What drew me in to American Horror Story was that it was a television show that had really phenomenal  actors – and most of the actors on Hotel are phenomenal but they just aren’t bringing it. No one is doing it for me and I’m just completely over it.

*Breaths deeply*…Wow, I really needed to get that off of my chest because it’s been building up for a PHAT minute. As mentioned earlier, episode seven – “Flicker” received half a star for poor acting, a crummy story line, and an overall snooze fest of an episode. Better luck next week, AHS.

I Told You What I Thought, What I Really Really Thought of episode seven of American Horror Story: Hotel, “Flicker”, and now it’s your turn! What are your thoughts on the episode and season in general? Who do you think is the Ten Commandments Killer? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah

PS: For the record, I don’t think that John Lowe is the Ten Commandments Killer. I know a lot of people think so but it just seems like too obvious of a choice for him to be the TCK. #quotemeonit

American Horror Story: Hotel “Flicker”

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American Horror Story: Hotel “Flicker”

Hellooo everyone and welcome to the synopsis post of the newest episode of American Horror Story: Hotel entitled “Flicker”. As you guys know, I don’t care for season five too much but now is not the time for opinions because I’m here to give you all of the facts from episode seven. We learned a lot of new intel on the hotel so let’s get to it:

They’re in the walls, HELPPPP: Tonight’s episode began with Will Drake overseeing the renovations to the Cortez. As he chats with his son about the possibility of him marrying the Countess (his blonde lady friend), he’s interrupted by a worker who tells him that he’s going to have to see a discovery that they made for himself. The walls that were currently being broken down were lined with one solid inch of steel. Drake tells the workers to get it torn down ASAP because he’s running on a tight schedule and leaves the unfortunate gentlemen to it.

Once the workers have created an opening in the steel with their handy dandy welding tools they enter what appears to be an abandoned hallway. “It smells like shit in here”, complains Guy #1. “No, it smells like death”, says Guy #2. As soon as the gentlemen venture deeper into the hallway, they are attacked and killed by two very old and very thirsty vampires. #bummer

Life is hard for Detective Lowe: While hella murders are going on at the Cortez, John Lowe is safely tucked away in a mental hospital being evaluated. While talking to a psychologist he confides that he “feels like everything is closing in” on him, which he blames on his current situations with Alex, Scarlett, and work. We then learn that John decided he “needs professional help” after he attacked a fellow detective who caught him in the office building looking at the information on the Ten Commandments Killer. #yikes

The Countess’s back story: Hotel manager, Iris, takes the Countess to inspect the new discovery in the walls of the Cortez and is shocked to see genuine fear strike the face of the fearless lady vamp. With a new found knowledge on her back story that begins all the way back in old Hollywood, it’s easy to understand why.

We are taken to a set for a silent film where the Countess plays an extra and Finn Wittrock AKA Valentino plays the dashing male lead. The Countess ogles at the hunk for most of the shooting and is then delivered a message that he would like her to join him for dinner that evening. She happily accepts and we find ourselves in the magnificent home of Valentino where the starlets engage in conversation about film. “I think the flickers are the future”, the Countess gushes, “to be immortal is to be up on that screen.”

After a small spoken error which Valentino blames on his poor English, he offers his hand for the Countess to join him in a dance and they get their groove on. As things are getting hot and heavy as far as dance moves go, Valentino’s wife walks into the room which shocks the Countess because she was under the assumption that they were divorced. Once some mild cattiness passes from the wife to the Countess, she tells her that “gods have appetites” and then the women dance, kiss, and have a nice little menage-a-trios with Valentino. #wawawoowewa

Thanks to this wild night in pleasure town, the Countess is in love but she declines to tell her girlfriend about the lucky man (and woman) while they attend a party for the opening of the Cortez. James March pops some champagne and all seems to be going well until a newsie reports that the actor Valentino is dead. Stricken with grief, the Countess runs out of the room and to the nearest window and prepares to jump. But does she do it? NO, she doesn’t because she is grabbed by March and helped back into the building. “Let me go”, she cries. “No, I don’t suppose I will”, March replies. “In fact, I may never let you go”.

Time passes and we are now in cemetery where socialites are discussing the newspaper rumors of a “Lady In Black” who apparently comes to Valentino’s resting place and leaves a single red rose every day. Their gossip is stopped short, however, once the Countess appears, donned completely in black. As she places her rose, she realizes that one of the ladies is Valentino’s wife. The Countess bitterly remarks that she wasn’t even at the funeral to which the wife curtly replies, “why would I go to a funeral for a man who isn’t even dead”? And then, Valentino appears.

The Countess is shocked, obviously, and the handsome devil says that it was his stunt double that died and was buried like it was nothing. (Take note that Valentino mostly did his own stunts!) The couple informs the Countess that they know of her marriage to March that happened shortly after the “death” of Valentino. “If I was to live in a world of grief”, she says, “I wanted to be surrounded by beautiful things”. We then see a montage of wild sex and the Countess walking in on March tending to a recently murdered body. She then encourages her hubby to select people of wealth to kill and that she wants to watch next time. #hubbahubba

Valentino then shares his side of the story, which took place while he was on a promotional tour for one of his upcoming films. Every location that he traveled to via train he was followed by a solitary man who wasn’t a reporter. Valentino began seeing him everywhere until one night he awoke to find him in his room. The man explains that he was some fancy pants director and that soon silent films would be no more. He wanted to preserve Valentino’s perfection and then turned him.

After Valentino was turned, rumors began to spread that he was very sick and he did nothing to stop them. Once he returned home, he turned his wife and now they are here as a chic vampire couple offering to turn the Countess. She accepts this offer and believes that they will be together forever. The trio indulges in some good old fashioned blood drinking against a stained glass window and Mr. March happens to see the whole thing.

So what happens next? I’m so glad you asked! As the Countess and March meet up for their monthly dinner together, we learn what happened to the beautiful couple that the Countess was so smitten with. After March sees her with Valentino and his wifey he has both of them beaten unconscious and they awake in a room at the Cortez. The woman opens a curtain to see a solid wall of bricks and when Valentino opens the door he sees a hallway with no exits.#ohshit

“Oh my god”, the Countess says shakily. “Yes, your god trapped in the walls of the palace that I built for my queen”. But not anymore, because as dinner continues a newly revitalized couple exits the Cortez to explore the world that they were locked away from for all those years. (Thanks to the blood of the realtor from Murder House and some strippers.)

A new lead on the Ten Commandments Killer: As John wanders around the hospital, he overhears some employees talking about the TCK who they say is in the hospital right now in the restricted ward. Lowe uses this knowledge to his advantage and hits the guard at the front of the ward over the head and steals his keys. He then makes his way to room 153 which supposedly houses the TCK. #snap

He opens the door to find a young girl named Wren, who also happens to be one of the Countess’s vampire children. We learn that Wren has assisted the TCK and was there at every crime scene. She says that at the most recent TCK attack, he almost got caught and then it was all her fault. This makes John sympathize with her because she reminds him of his own daughter who he feels blames herself for all of his current problems.

“When I was young, my daddy told me he couldn’t wait for me to grow up and I would be his little lady”, Wren said. Wren’s father was a drunk and left his daughter in his car during a sweltering hot day to drink at the Cortez. That’s when the Countess found her and turned her because as we learned earlier, she has a thing for neglected children.

Wren tells John that he has to get her out of here so that she can show him where the TCK lives. So just like that, they escape – because it’s soooo easy to break out of a mental hospital. Wren says that they need to go home to the Cortez. “I really like you. I hate to see it end. Goodbye John”, Wren declares and runs into the street only to get hit at full speed by a bus. #ouch #endscene

So there you have it, the synopsis post of this week’s episode of American Horror Story: Hotel, “Flicker”. What did everyone think of the back story for the Countess? How does everyone feel about season five so far? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah

I’ll Tell You What I Thought, What I Really Really Thought (AHS Episode 6)

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I’ll Tell You What I Thought, What I Really Really Thought (AHS Episode 6)

Helloooo everyone and welcome to my opinion post on the newest episode of American Horror Story: Hotel, “Room 33”. To be frank, I wasn’t a fan. This episode had me questioning whether or not I wanted to continue watching season five – but fear not, I wouldn’t do that to my readers who tune in to these posts! :*) There was a lot that I just didn’t care for in “Room 33”, so let’s get to it:

Jumpy story lines: “Room 33” was all over the place. The story lines of season five being jumpier than a rabbit on Ecstasy has been one of my complaints since the very beginning, but the newest epi was just too much. We were going from time period, to location, to person, to plot quicker than you could wrap your head around the previous scene. This would all be fine and well if they gave the individual story lines time to develop but that really isn’t happening. In almost every episode we’re introduced to something that could be a potentially cool plot to delve further into but it’s either A) not mentioned again or B) brought up again too late into the season to the point that it feels irrelevant.

Now usually I’m a huge fan of intricate episodes and story lines but there comes a time when it feels like overkill. In almost every episode of Hotel thus far, I feel like Ryan Murphy has bit off more than he can chew. The flimsy plot feels more like unfortunate sloppiness rather than a build up of instances that are going to lead to one major turning point in the season. #whompwhomp

boohoo

A sub par cast: Sorry, but I’m not blown away by any of the actors in this season aside from Denis O’Hare. Don’t get me wrong, everyone is doing an okay job – but that’s just it, they’re just okay. I haven’t seen one stand out performance by a leading character all season and that’s just unacceptable. Wes Bentley is delivering a similar performance each week, so is Chloe Sevigny (Alex), Lady Gaga, Finn Wittrock – basically everyone. And don’t even get me started on Sarah Paulson. Despite Paulson’s lack of being featured in each episode, I’m still very disappointed in her performance. All of the Hotel tenants just seem very lackluster and dull. If you’ve seen ten minutes of acting from each character, you’ve seen it all.

Murder House similarities: “Room 33” felt like I was watching an episode of Murder House that wasn’t very good. I loved the dead and living interaction in Murder House and I never minded it when it showed up sparingly in Hotel. However, the newest episode revolved around the interactions of the living characters and those who died in the Cortez and I felt like I’ve seen it all before. The episode felt too familiar and not in the good way. I understand that the plot calls for the dead to wreak some havoc on the living in the Cortez. BUT, the dead in “Room 33” were being featured more than the living, which I feel is so unnecessary. Had they cut out some of the scenes with those who passed in the Cortez (IE: the woman in the bath tub) and focused a little more on the characters who are still alive, then the episode might have been more cohesive.

All in all, I’m going to have to give episode six, “Room 33” a rating of: one star. This episode did nothing for me and received such a low rating for dull performances and a plot that was too jumpy to be enjoyable. Better luck on episode seven! #disappointed

I Told You What I Thought, What I Really Really Thought about the newest episode of American Horror Story: Hotel and now it’s your turn! What did you think of “Room 33”? What character would you like to see more of in the next episode? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah

American Horror Story: Hotel “Room 33”

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American Horror Story: Hotel “Room 33”

Heyyy everyone and welcome to a slightly late synopsis of the newest episode of American Horror Story: Hotel entitled “Room 33”. A lot of new discoveries were made about our hotel guests so let’s get right to it and discuss, starting with the first connection to Murder House that Hotel has featured:

Mama Gaga: “Room 33” starts with a flashback to the 1920’s where we see the Countess walking into the Murder House from season one. The Countess had a bit of a baby problem and went to seek out the abortion doctor, who a friend recommended to her. The doctor started up the procedure with no questions asked and everything seemed to be fine and dandy until he and the nurses realized the baby was still alive. The baby attacked the nurse and the doctor handed it to the Countess who is now the new mother of a baby boy, Bartholomeo. The Countess loves her baby very much and goes to visit him every night in the hotel, donned in ethereal gowns with her hair flowing. Baby Bartholomeo is a tenant in the Cortez as well, residing in room 33.

An unlikely couple: In “Room 33” we are introduced to a new Cortez power couple, Tristan and Liz. We find the love birds having a nice little romp and afterwards they share some touching sentiments to each other. Tristan asks Liz if she loves him to which miss thang replies, “I don’t know. I think so – but goddamn it who can tell when you’re so damn handsome!” Tristan then confesses his love for Liz, but is adamant about reminding her that he’s not gay. Liz then reassures him that when he’s with her, he’s with a hetero girl and begins to cry, “thank you for seeing the girl”, he tells his lover. All of these sweet words are really moving and all but the new pair better look out because the Countess might not take it very well!

John Lowe continues to unravel: Tonight we saw John at his worst, thanks to some assistance from his soon to be ex-wife. John’s episode journey begins when he wakes up to find his son, Holden, laying next to him. “Hi, daddy”, his little boy says and then runs off to the coffin room. By the time John gets there he finds Holden, Alex, and the other vampire children asleep in their designated coffins and then proceeds to faint. (#overdramatic)

Alex, who doesn’t want John to know just yet about her and Holden’s condition decides to give him something to knock him out and gets him back into bed. While John is conked out, Alex enlists the help of Liz to move the coffins so that John doesn’t end up finding them. When John wakes up again he tells Alex about what he saw and his ex plays it off like the visions that he’s been having are because he’s making Scarlett’s memories his own. She then tells John that she thinks that he’s having a mental breakdown and suggests that he gets help. John, however, is not feeling this reaction and takes Alex to the coffin room only to find that they are no longer there. #ohyoucraftyhuh

A very Ramona revenge: Fan favorite, Ramona Royal, is featured in this episode with her partner in crime, Donovan. The duo has returned to the Cortez to “take care of those kiddies”, meaning the vampire children as well as the Countess’s darling baby Bartholomeo. Ramona is ready for action but Donovan has been overcome with an overwhelming urge to sniff the Countess’s panties, so he ends up going to her suite while Ramona seeks out the children in the coffin room…But just as John found out, the kids are no longer there.

While Ramona is in the coffin room, she is joined by Iris, who is there to help commit the deed. “This is no place for children”, Iris says to justify the murders. Ramona is furious by the discovery of the children missing from their sleeping chambers because she knows just how badly their deaths will hurt the Countess because they’re her “reason for living”. But Ramona knows that there’s one more thing that she can do to make her visit to the Cortez worthwhile…kill Bartholomeo. Ramona then asks Iris for the key to room 33 and goes about her business.

RIP: Liz has finally worked up the courage to tell the Countess about her affair with Tristan. “I don’t think you love him…like I do”, she says. “Interesting”, the Countess replies. She then gives Liz a friendly reminder that she doesn’t share but suggests that they go talk to Tristan together. Once they are all in the same room as a majorly awkward trio, Tristan goes into a powerful monologue about how the Countess only likes getting people to fall in love with her just to drop them completely. This seems to hit a cord with the Countess and she shockingly is agreeable. “Fine, you may have him”, she says to Liz. She then bends down to kiss Tristan on the cheek and then proceeds to slit his throat. “He’s yours. Bury him”, she hisses and walks away. #badbitch #jealoussss

Baby Bartholomeo: As mentioned earlier, things are not going too hot for our Detective John Lowe. He is drinking heavily, Scarlett has been ignoring his calls, and he feels rejected by his former job and Alex. His wife can tell that things are continuing to go increasingly wrong for John, so she issues the help of the two foreign dead girls from the season premiere who were in search of Universal Studios.

A quick interaction in the hallway between John and the girls immediately leads to a menage-a-trios…Sweet! But not exactly, because things get really bloody really quick, thanks to the girls cutting and scratching at each other. John has a whack attack and then runs butt-ass-neked and covered in blood into the hotel lobby and spews some nonsense at Liz. He then returns back to his room, packs his bags, and gets the hell out of the Cortez – which is exactly what Alex wanted.

John returns back to his home with a moody Scarlett, whom he picked up from grandma’s…and a baby Bartholomeo? Yes, it appears Baby B escaped when Ramona entered his room in the hopes of killing him and he found his way into John’s suitcase as a tiny little stowaway. John begins to unpack his belongings when he hears Scar crying so he goes to her room to tend to her. Once he is done comforting his daughter he returns to his suitcase and finds that all of the clothes have been dumped out and scattered about. Suspicious and paranoid, John gets his gun – just in case. Once John is armed, he heads down to the living room and is relieved to find Scarlett on the couch enjoying some cartoons. This relief is short lived, however, when he sees a “monster” crawling around from across the room. He approaches with caution, cocks his gun, and begins to shoot.

Naturally, this terrifies Scarlett and after a visit from a former coworker of John’s and Alex, she heads back to her grandma’s. Alex sticks around after Scarlett leaves to suggest to John, once again, that he gets help. Once Alex has said all she needs to say, she turns to leave but hears some rustling in the bushes, which she goes to investigate further. The episode ends with the Countess finding Alex tending to Bartholomeo in room 33. “You saved my son”, the Countess states. “You saved mine”, Alex retorts. She hands the Countess her son and exits and we then see a brief glimpse of the baby boy’s face which is so small. His skin looks plastic and he doesn’t have a mouth. #BabyB

^^^…DA DA DA DA DA DA DA MEET ME AT THE CORTEZ?!

So there you have it, the synopsis of the newest episode of American Horror Story: Hotel “Room 33”. A lot of crazy story lines were initiated in episode six and I look forward to sharing my opinions on all of them with you tomorrow! Until then, what did everyone think of “Room 33”? Who do you think is the Ten Commandments Killer? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah

I’ll Tell You What I Thought, What I Really Really Thought (AHS Episode 5)

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I’ll Tell You What I Thought, What I Really Really Thought (AHS Episode 5)

Hellooo everyone and TGIF! Welcome to the opinions post on the latest episode of American Horror Story: Hotel, which is promised to you by yours truly every Friday. Wednesday night’s episode entitled “Room Service” was fantastic and once again, I really have no complaints – only praises! Let’s begin by discussing the MVP of the episode, Denis O’Hare:

Denis O’Hare’s all star performance: I’ve been saying this from the beginning of American Horror Story as a series and I will continue to say it again: Denis O’Hare is the most underrated actor on the show. Usually, Mr. O’Hare specializes in the oily scumbags of the season, but in Hotel he plays the sensitive yet sassy Liz Taylor and he does it to perfection. In “Room Service” we got to learn the backstory of Miss Cleo and it was just as touching and wonderful as I hoped it would be. Cleo’s back story was a beautiful sentiment to the LGBT community as well as everyone else on the planet.

One specific moment that really stood out to me as we learned about how Nick Pryer transformed into diva queen Cleo was when he cried into the Countess’s arms and told her that he “feels ugly”. I don’t know about you, but I can certainly relate to that. It’s so hard to feel whole when such a big part of your life is a lie. I was so moved by the honesty and rawness that was infused into Cleo’s back story and it was just gorgeous.

Denis O’Hare’s performance was done with such sensitivity that I was almost in tears and I was completely blown away. O’Hare doesn’t get an ounce of the attention he deserves as an actor on one of the most popular shows on television and I sincerely hope that “Room Service” will serve as his big break on AHS. O’Hare’s work as Cleo has been spot on this entire season and I’m just thrilled to see where his character goes from here. Bravo and well done.

ohare

^^^ LOVE

Lady Gaga is less annoying: I was actually very pleased with Lady Gaga’s performance as the Countess in “Room Service”. It’s nice to see Gaga giving us some real acting rather than sex scenes in each episode and I thought she did a great job. Her role in Cleo’s back story was so classic Gaga and all that she stands for and I was happy that she was able to be a part of that. I was so shocked that “Born This Way” didn’t start playing because there wasn’t a better time for some Lady Gaga tunes than during the evolution of Cleo!

There was one scene in “Room Service” that featured the Countess and it was just so deliciously awkward and I loved every second of it. It was when the Countess and Tristan approached Iris at her front desk, dressed to the nines in their Halloween attire. The Countess wanted Iris to deliver a message to Will Drake if he returned to the Cortez that evening but immediately sensed something off with the hotel manager. The vampire queen and her lover then proceeded to have the most intense stare down ever with Iris where they both bent down so their faces were even with hers and kept their eyes locked on her for what felt like an eternity. After they made Iris sufficiently uncomfortable, they swiftly turned away and that was that. Gaga looked spectacular and the scene was so weirdly whimsical and I thought it was flawless.

A grade school vampire epidemic: Alright, first of all – I can’t say that I didn’t see this one coming BUT the newly infected grade schoolers’ feeding frenzy was very well done. I thought the entire sequence from when Max killed his parents and hopped on the bus to when the frightened children exited the school and ran to their parents was delightfully eerie and insanely cringe worthy to boot! I’m not always fond of child actors or when young kids are made to act out such gruesome situations but it worked so freaking well and I just couldn’t turn away.

One of the best parts of that story line was when the kids went full on animal when they started drinking the blood of the male teacher. It was seriously like watching a wild animal devour its kill and it was SO creepy and disturbing but it sure looked awesome. All of the kids looked so sweet and innocent but did such a good job of becoming these vicious little creatures in a scene that felt like it was straight out of a Stephen King movie and I was such a fan.

“You see everything when the world doesn’t see you”. -Liz Taylor

All in all, I thought that “Room Service” was an excellent episode and I’m going to rate it with: Four and a half stars. The reason why the newest episode didn’t receive a five star score was because I thought its pace was a little off in comparison to last week’s “Devil’s Night – Part 1”. “Room Service” flowed well but it wasn’t as sharp and crisp as last week’s fast paced Halloween special. These past few episodes have been stellar and I can’t wait to see what happens next!

I Told You What I Thought, What I Really Really Thought about American Horror Story: Hotel’s newest episode, “Room Service”, and now it’s your turn! How did everyone feel about this week’s episode? Who are some of your American Horror Story all star actors? I wanna hear from all of you, so leave me a comment and let’s chat! Much love. -Sarah